In Hollywood, if you have very stupid ideas, a movie, and a lot of money, you can call it The Rock. This is not an insult; This man is the biggest salesman in the industry. 200 pounds of oily muscle and oil-free lure, he can sell you what you think you don't want: Jumanji resumes, GI Joe and Earth Center tour sequel, Kevin Hart, Bevet ... Well, all feature films have their limitations. Chaos is a typical Johnson project. Based on video games without any story or characters to speak of, before many of their fans were born, it seemed like a terrible foundation for films. It is a bit much, but also very interesting.
This very stupid film can actually provide more stupidity.
The initial crack occurred in 1986 when the game was very simple (you can move left and right, whether it is slamming or shooting or living on white dots and ghosts) and repeat. We are very happy. In rampage, players control one of the three giant monsters — a wolf, lizard, or gorilla — and try to destroy the city, and then the army can shoot them and turn them back into humans which they Apparently used to. Blasphemy religion, racy movies and no human has become a monster. Conversely, while trying to find a cure for cancer through "gene editing", scientists (not so) accidentally created a serum that transformed normal animals into angry giant monsters. In order to avoid being blindfolded by the government and others, those scientists who may have seen the Titanic hamsters eating at the city center are conducting their experiments in space. But things changed, the space station exploded, and several giant juice jars were sent to Earth. Two pieces of land in the forest and another land collided with the San Diego Zoo, and Davis Okoye (Johnson) worked with the gorillas. His favorite is a type of albinism called George, which is influenced by the serum and becomes huge and violent.
Splitting the plot is a waste of time as it is purely functional. It has no subtlety or art, and should not exist. This is a film about gorilla hits buildings. You do not want to hinder role work. When the villain (brothers and sisters arrogant Malin Akerman and Jake Lacey) said they needed to turn the radio antenna of their office building into a giant monster house, their technicians "modified it last night". Because who cares how they do it? Similarly, who is concerned about Naomi Harris' misplaced scientific role, used the thermostats found in refrigerators to destroy billions of dollars of technology companies because it is "all connected to the same grid"? The argument will only be slow. Those buildings will not defeat themselves.
When it comes to the architectural stamping part of the exhibition, there may be more. This very stupid film can actually provide more stupidity. Brad Peyton, Mad Rock's other director San Andreas, didn't completely put his tongue to his cheeks, he seemed shooting, deceptive and quiet at times. Johnson mostly used his eyebrows to flaunt his gimmicks, but he did not have widespread confidence in all films. They could be the villain camper, could the action sequences use some more visual gimmick to enjoy the ruthlessness of vain, and greedily want to grow up big gorillas, wolves, and lizards? Warner Bros. may have put Godzilla and King Kong on their giant sleeves, and maybe worried about stepping on those giant toes, but when it comes to the animals that have collapsed in the city, there will always be more space. Stampede is very silly fun, but not as big, as stupid and interesting.
Definitely absurd, but not as absurd as before. As much fun as the idea of an animal stepping over the wreckage of the city, it seems difficult to go completely beyond the top, and it is poor.
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